Different stroke properties for the checkbox and checkmarkĬreate the checkbox and checkmark in the same way that they were created in the first part or copy them in. Select the Gaussian Blur effect and set the standard deviation to 0.75. Now, to make the starburst smoother, open the Filter Editor (from the Filters menu) and find the starburst's blur effect (it should be selected in the filter column when the starburst itself is selected). In the Fill and Stroke palette, set the opacity of the starburst to 100%. Over the top of this, paste (or recreate) the starburst effect from Part - X,Y=(-15.7,-15.7) should center it perfectly. We now have a bright spot in the center of the background. Top to bottom, the four gradient colors should be: In the Gradient Editor, click "Add Stop" twice to make the gradient a four part gradient. Set the fill to a radial fill and edit the gradient. Starting with a 57x57 document as created in Part 1, add a rectangle filling the document area. I'll also introduce a complimentary (opposite hues) color scheme with an azure blue and a red. In this variation, I'll have the background reach a bright point behind the checkbox element and change the effect on the lines so that the lines look embossed into this bright point - visually integrating the background and the overlayed element. The icon developed in Part 1 is very simple - really just a couple white lines over a typical iPhone icon background - which is appropriate for a serious application but might not stand out as prominently against other icons. Learn to adjust all of the common stroke properties.Icon 2: A brighter, more colorful iPhone icon Goals in this section I'll assume that you've read the first part or are familiar with the techniques involved. I'll go through the creation of the remaining variations on the checkbox/checkmark theme in this post. The first icon was created in the first part of the series. This series covers the creation of the following different icon styles: I'll also present some Mac application icons and simple texturing. In this part, I expand on the simple techniques presented in the first part by adding different line, effect and texture styles.
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